When my father died, I started to smoke. I like to think it started out slowly, but I had been a casual smoker while he was sick, and when it was all over, I started to smoke, hard. Somewhere around a package a day. This was a mechanism of distraction, a smokescreen.Nice metaphor. Subtle.
Every night after work, I would go home and shower, and then I would go out for coffee. This was back in the old days when you could still smoke in restaurants...something future generations will never know. I would sit there for hours, sometimes preferably alone so I could write, draw, whatever. Sometimes not alone, but I would still draw through conversation. I created so many things. So much of it useless, some of it not.
I conceptualized an entire film there, and storyboarded it out, even as we were filming, and filmed it we did. I have a shoebox full of footage two feet away from me, overflowing with some forty hours of footage, and a two inch binder somewhere packed full of scribblings and script.
I finally have a computer to edit it on, and I just need to start. I fear, somehow, though, that I cannot edit together the same sort of film that I thought I was making back then. Life and children and age have conspired together to change the way that I see the world and the past, and ultimately I wonder and perhaps worry that the shoebox full of tapes next to my feet is no longer relevant. What if I have only two minutes of importance amongst that 40 some hours? It scares me somewhat, this daunting task of sorting through my old psyche.
Perhaps it was more the action of committing the things to tape that was the therapy, the meaning, rather than a finished film. Perhaps the few years it took to write and film it were its true purpose, the memories of a thing, rather than the thing itself. Almost as if the actions required to create something become the final result, and completely unrelated to the finished work. The act is the art. I guess any art can be said to be made up of the efforts it took to create it, though in this case, and at this point in time, the effort is all there is.
Somehow this feels unfair though to everyone else who sacrificed of themselves to help create it, and I suppose for their sake, that it would be a failure, wrong even, to not at least shape it into something. They did after all, blindly follow me down that road, with not one of them knowing what we were doing. Even now, none of them could tell anyone what we made...only me. And now I fear that I may no longer know, or cannot know, being so far away from it, both in mind and in time. I don't know that I ever properly thanked the people who helped so much, volunteered. You know who you all are, and if I owe you money, then please disregard this. I said nothing pertaining to you. You are dead to me, and you shouldn't be reading this. Leave this site immediately. As for the rest of you...
...you are also dead to me, and if you think for one damn second that ANY of you are going to be listed in those rolling credits then you are bloody well wrong. There's only gonna be ONE effing name up there and that's going to be MINE, if I even decide to do anything with it.
I may just roll those tapes up one by one in a big fat cigarette, and then smoke them until I'm blind. THEN what?!? Who's going to edit the film then, BITCHES?!?
WHO?!?
That's RIGHT.....I am.
I'll be blind, and have smoked all the footage, and ALONE on all the award lists.
(except for you, sweet wife...thanks for all your help, I never could have done it without you. I love you.)




